BROADCASTING FROM THE GOLDEN AGE
PAUL SPRANGERS · FILMMAKER · VFX ARTIST · EDITOR
Limited runs sell out. Subscribers get told before the drop goes public.
Limited runs. Ships from the USA. New drops added regularly.
They came to carry her out. She had other plans.
Deeper into the jungle.
Into the spider's lair.
Bambi meets the Professor.
Captured by the mud tribe.
A princess crash-lands on a savage world.
Bambi enters the fairground of the damned.
Bambi must escape an ancient evil.
Bambi is sucked through a portal.
An unemployed duck becomes the prime suspect in a murder.
America's favorite game show.
Sherm's first adventure.
Never mess with Bud's Auto...never.
Can a mime find true love without speaking?
A classic nightmare neighbor situation.
An adaptation of the original Brothers Grimm.
The origins of the black orb, discovered.
A heroine in a bikini must escape a space leech.
Escape from the pink monster.
The prophecy demands blood.
A trailer for an un-produced feature script.
The Slayer returns to fight medieval evil.
The birth of hip-hop — a new 8-part series.
Bambi the Destroyer, Princess Starcrystal, and whatever else crawls out of the vault — straight to your inbox.
PRACTICAL-EFFECTS HEART.
GENERATIVE BRAIN.
Dr. Dreams is a Los Angeles–based filmmaker, VFX artist, and video editor crafting cinematic worlds that blend 1980s practical-effects nostalgia with cutting-edge generative tools.
He directed an award-winning indie feature produced by Wayfarer Studios, starring Danny Trejo, along with many music videos and commercials.
He also hosts the Slop & Glory podcast and is building a feature horror production company with his wife.
YOUR PRODUCT.
OUR MONSTERS.
I make short, character-driven films for consumer brands — the kind of spot that ran between Saturday morning cartoons, made now.
Before this I directed an award-winning indie feature for Wayfarer Studios starring Danny Trejo, and cut commercials for Wet n Wild, Physicians Formula and Lip Smacker. Twenty years of knowing what actually holds an audience.
The generative tools are how it gets built — not what it is. That's why these cut like films instead of looking like a reel of clips, and why a spot that used to cost six figures doesn't have to.
Broadcasting on all frequencies. Adjust your antenna.